Do not force speed on the tremolo because speed is supposed to come naturally with tremolo after a few days. As you are learning the piece, put a little accent on the second note of the tremolo. This will help even out the overall sound by the time you pick up speed.
Recuerdos de la Alhambra by F. Tarrega for classical guitar
Feel the string with every strike of the right hand fingers and plant the a finger precisely because, depending on how precise you are with the a finger, your tremolo will be more or less fluid. In order to achieve fluidity in Recuerdos de la Alhambra, I worked on several fingering possibilities. The one I publish below is the best I have come up with to this date.
The typical problem with the study of tremolo is that most players want to start playing it as such.
Recuerdos de la Alhambra
It is such a complex and at the same time relaxed guitar technique that only those players that approached the study of tremolo in the right manner will eventually play a beautiful tremolo. You must become very good friends with your metronome, and if the metronome is not yet one of your best practice friends, you better considering making him one urgently. I recommend the old style pendular ones because they also train your eye sight and this comes in handy when playing with other musicians.
Start off at 80 beats per minute and increase gradually. Only increase the speed when you are able to play flawlessly for 30 seconds non stop. No exceptions. The training of the fingers in the performance of tremolo starts by feeling each string with the tip of each finger. Feeling the strings makes the right hand feel secure because she's most too often neglected your sight to guide her, therefore, she has to develop her own sense of sight and that is the sense of touch.
Depicted above is the place on the fingertip where the plucking of the second string happens during tremolo. Next Product: Passacaglia.
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Did you find it a bit daunting after that first read-through? Well, hopefully we can help you come to grips with Recuerdos de la Alhambra. We will look at facilitating learning the chord shapes and shifts, along with adding some insight into the tremolo technique. Alas, it can also be extremely frustrating to instigate, since plenty of practice is required before the aural illusion intrinsic to the music succeeds.
It should be understood this is not going to be an article on tremolo technique, although as you will see below, there are two studies to help with nurturing this skill.
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Well, there is already a wealth of information for preparing and maintaining tremolo out there. He offers detailed instructions to learning it and explains why he advocates sequential planting for the tremolo to really take off. Tremolo should be practiced with sequential planting, at a slow tempo with a metronome.
Aim for even tone, rhythm, and control. Micro Study 1 is a great starter exercise and warm-up for tremolo, employing broken rhythms to spotlight each right-hand finger and its placement.
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These rhythms facilitate right hand independence and fine control. In all examples, the fingering should also be reversed to supplement hand development.
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